TURTLES ALL THE WAY DOWN

   TURTLES ALL THE WAY DOWN   They operate contrary to the rules of common sense that we hold dear as proof that what we know is right, that we’re no fools and senses we possess perceive the truth. They ramble through eleven dimensions. Their motions, seemingly governed by chance, confuse and amend our comprehensions […]

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RESEARCH GUIDELINES

  RESEARCH GUIDELINES Throughout investigative history, a basic principle has long held sway: When we unravel Nature’s mystery, complexity’s the first to fall away. Upon one underpinning postulate, succinctly balanced, we’ve come to expect all facts that we’ve observed should always fit, with math that’s both appealing and correct. Proposing supposed significance, unless our models […]

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PEDAGOGIC PROTOCOL

PEDAGOGIC PROTOCOL   Be careful what analogies you use. Sometimes they are literally taken and could misrepresent, mislead, confuse, or trap in a premise that’s mistaken the very minds that you seek to inform about the design and nature of things, and, worse, it could just cause them to conform to notions false and erred […]

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THE IMAGINARY ABSOLUTE

THE IMAGINARY ABSOLUTE Gustav Köln was a physicist for life. His work had been all that mattered to him, but he had recently taken a wife –
a dedicated co-worker named Kim.             She’d always been worshipfully supportive to scientific quests and inquiry, but she had turned quite clearly abortive
 on what was his big opportunity. […]

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ENERGETIC EVENTS

(Wait for it …) ENERGETIC EVENTS   Quarks flee bondage from gluons in forced collisions and matter annihilation. One good thing about nature is that there’s lots of it. This poem is the more standard fibonacci form, in the line syllable sequence: 1 – 1 – 2 – 3 – 5 – 8 – 13 […]

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Fashion’s Model

  FASHION’S MODEL   The atom as a miniature solar system is a model we’ve abandoned for a century, yet we still picture it thus. The form of this poem is a reverse fibonacci.  Like the Fibonacci sequence, you get the number of syllables for each line by adding the the number of syllables of […]

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